bfowler
Double Eagle Member
I'm always working on my throw and technique and I've found a few more things that seem to make a difference.
1. Everyone says you pull and throw the disc down an imaginary line to your side. I've always done that. But when I do upshot or fairway shots my throw are a totally different feel and have much more accuracy.
I'll start pull the same with my hand parallel to me on the other side of the disc. When my hand starts to turn the disc I pull to the right and snap hard. I don't fling it forward like I used to.
You'll know you're doing it right if your accuracy improves and if it's much easier to follow through all the way around your body. That because I'm starting my snap much later because I'm thinking of pulling to the right. I can't pull right until my arm get further out. My old way I started my late acceleration just as it passed my chest.
Feels much more like a ballerina spin with power.
2. The second thing is I found to focus on turning my chest more inline with my hips. My first start of my hip turn pulls my disc from reach back to right before or at my left pec. Hip turn start, then pulls shouders which pulls disc into my left pec. This also where I shift my weight forward from the toe of my plant food to my heel. I then turn/spin on my front heel (and twish/push with my back toe) and turn my whole torso towards the basket. My hips, shoulders, forearm, hand, disc.
My forearm will whip out faster and when it gets to almost the end of my arm I smoothing snap my wrist/hand/forearm to the right.
It's not quite as 1, 2, 3 as I'm writing it as some turns overlap the next one to create that kinetic chain.
Before I was letting my hand get out to far in front of my shoulder rotation and relying on my hand to pull everything into my follow through. I'd never get a good follow through. My hand always wanted to stop 90 degrees or even less from the basket instead of a full rotation to 180 degrees from the basket.
Now my hips/core/torso/shoulders are pulling my hand around.
Hope all that makes some kind of sense.
1. Everyone says you pull and throw the disc down an imaginary line to your side. I've always done that. But when I do upshot or fairway shots my throw are a totally different feel and have much more accuracy.
I'll start pull the same with my hand parallel to me on the other side of the disc. When my hand starts to turn the disc I pull to the right and snap hard. I don't fling it forward like I used to.
You'll know you're doing it right if your accuracy improves and if it's much easier to follow through all the way around your body. That because I'm starting my snap much later because I'm thinking of pulling to the right. I can't pull right until my arm get further out. My old way I started my late acceleration just as it passed my chest.
Feels much more like a ballerina spin with power.
2. The second thing is I found to focus on turning my chest more inline with my hips. My first start of my hip turn pulls my disc from reach back to right before or at my left pec. Hip turn start, then pulls shouders which pulls disc into my left pec. This also where I shift my weight forward from the toe of my plant food to my heel. I then turn/spin on my front heel (and twish/push with my back toe) and turn my whole torso towards the basket. My hips, shoulders, forearm, hand, disc.
My forearm will whip out faster and when it gets to almost the end of my arm I smoothing snap my wrist/hand/forearm to the right.
It's not quite as 1, 2, 3 as I'm writing it as some turns overlap the next one to create that kinetic chain.
Before I was letting my hand get out to far in front of my shoulder rotation and relying on my hand to pull everything into my follow through. I'd never get a good follow through. My hand always wanted to stop 90 degrees or even less from the basket instead of a full rotation to 180 degrees from the basket.
Now my hips/core/torso/shoulders are pulling my hand around.
Hope all that makes some kind of sense.